Michael Snow Movies

Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland.

A rare film shot in Super 8 by Michael Snow in 1984 that is almost unseen: an exercise in improvisation in which Snow plays the piano with one hand...

This performance piece by filmmaker Hollis Frampton, recorded in 1968 in New York City, features the voice of artist Michael Snow. Frampton would...

Little Walk (1964) is Michael Snow’s first gallery film installation. It arrives as a diplomatic envoy from New York’s art and film...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of...

A loop of two parts of a film, superimposed on top of one another, that concern a man who has arrived at the house of his lover and her husband to...

Although Seated Figures is characteristically confined by a specific placement of the camera — in this case, fixed to the rear of a pickup...

Using concert footage of the free-improvisation ensemble he co-founded in 1974, Snow digitally weaves together images and sounds from performances...

This is an interesting little documentary about the Nova Scotia College of Art and Design, which was apparently one of the global hotbeds of...

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant...

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

A surreal and comic exploration of an office space and its inhabitants and the decorations of a living room.

Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bruce...

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a...

Zooming back from an image in close-up a brightly colored and kitschy room is revealed. Digitally manipulated objects and figures appear/disappear,...

A man (Snow himself) rises from his desk, puts on his scarf and coat, says goodbye to a woman typing at a nearby desk, and leaves the room.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...