Robert Huot Movies

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader,...

Costumed Capers...Fetish and Fantasy...Punk Pleasure...a must for those who enjoy erotic humor.

A punk spoof with music by Georg Deitl, lyrics by Robert Huot, performed by George A and The Super Connie featuring Bobby Beethoven. Plus electronic...

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...

“An extraordinary ebbing and flowing, dotting and pulsing ‘abstract’ field film. The filmmaker-painter Huot painted this film by...

A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of...

By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic. RED STOCKINGS is a...

Dark, Scenes from the Barn superimposes bucolic barnyard activities with jarring images of hidden desire

This film is the quadruple superimposition of four faces, two men and two women. These images often appear to be one fantastic undulating face...

“…(a) serialist comparison-contrast of the variations in nine naked male and female torsos.

The motif of having people slowly approach the camera first appears in Nude Descending the Stairs, an interesting minimalist work made up of three...

Two reels projected simultaneously, with slight variations in speed.

LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so...