Jeff Keen Movies

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and...

The Artwar face peers through painted celluloid and a barrage of explosions and film noise.

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

Footage of the first Iraq War is jarringly intercut with shots of the artist painting at the local tip and at home. Drawing upon pivotal moments in...

Jeff Keen processes his cinematic past in this filmic attack on his back catalogue.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Jeff Keen's daughter gave him some music and sound effects recorded at the cinema and invited him to use it as the basis for a film. He added a...

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

Stealth bombers hover over crashing waves and ruined land. Using found footage and several thick layers of video, Jeff Keen presents and visceral...

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the...

Experimental short directed by Jeff Keen.

Breakout is an unfinished film and, unusually for Keen, contains a loose narrative. It presents the story of a young man hounded by a large pink...

Action and animation are pushed to the extreme in this frenetic film. Keen makes references to the God-like status of the director, the framed world...

White Lite is something of a mystical film, evoking the feeling of going 'through the looking glass' to another world, despite the fact it was...

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn.

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted...

A short, sharp, visceral attack on the news using, amongst other things, science fiction footage and scattered newspaper headlines.

This bright animation cuts from interiors to exteriors and pushes pictures of Keen at different ages up against violent actions and symbols of...

Jeff Keen's final film pushes his conflation of personal history and war even further than before.