Carolee Schneemann Movies

RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little...

Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as...

Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work brings...

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning,...

In Loving (1957), a couple make love in the sun and their optic system flares -- it's really the nervous system's ecstasy -- in oranges and yellows...

In her earliest film, which has been newly transferred to video, Schneemann presents an abstracted portrait of the American composer Carl Ruggles,...

For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory...

In all Schneemann's montages, films and performances, there is an insistent repetition of disparate motifs — within each work and from work to...