Stephen Dwoskin Movies

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture,...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a...

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

Stephen Dwoskin's personal impression of West Berlin before the Berlin Wall went down.

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

A tribute to author’s mother shortly after her death, at the age of 96. The film remembers her through excerpts from earlier footage and...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and...